American Pageant 14th Edition Ch 25 Waco. Alexplorer's Axe Hacks: Digitech 2120 patches Digitech 2120 patches The following are patches for use on the Digitech 2120 processor. These will work on other units as well, although there are some compatibility issues.

For more about this, see Bruce James' indispensable and documentation. These are the same patches of mine featured on the, only they have been edited to be made compatible with the 2120. About the patches Some of these programs are different edits of the same patch, cases where I was trying out a different settings but didn't want to overwrite my original patches.

As such, some of the names are repeated, although more often than not, the actual patches are noticeably different, usually in the preamp/EQ settings. You will find an overwhelming emphasis on a few guitarists (e.g., Eddie Van Halen, David Gilmour of Pink Floyd, and Eric Clapton). These happened to be who I was listening to predominantly when I was tweaking these settings. However, many of the variations depart from the signature sound of these players, so you will probably find some surprises. A final note: I was typically playing a standard Stratocaster through a Fender Ultimate Chorus amp when I generated the majority of these patches, so your results may vary.

X-Edit v2.7.0 (Windows. Offered for DigiTech digital hardware, software. Your operating system to Windows 10 until full software testing and. Feb 02, 2010 You need the version of X-edit that's compatible with the C48 beta software for the GSP1101. Install X-edit.

For better or for worse. Either way, these make good starting points for your own edits.

Patches: • - The name says it all. • - A smooth lead sound. • - The classic 'You Really Got Me' sound. • - A clean Strat sound good for 'Finish What Ya Started' from OU812. • - A good Pink Floyd rhythm patch similar to the 'Run Like Hell' repeating figure. • - A crazy sound produced by an extremely short delay with a lot of feedback.

• - Crunchy with a wah. • - Based on the factory preset. • - Just what it sounds like. Funk in A minor. • - Richly phased with thick distortion.

• - Fun with auto-wah. Sounds like a keyboard effect.

• - Tight distortion with too many effects. • - The 'brown sound' of Eddie with some chorusing to smooth it over. • - An approximation of a Clapton sound. • - Good slapback delay like on a Gene Vincent or Eddie Cochran record. • - The clean sound from the Pink Floyd track of the same name. • - The dropped octave distorted sound from the Pink Floyd track of the same name.

• - Like you're listening to him from the edge of the crowd. Loads of reverb. • - The classic 'scooped' sound like on '.And Justice for All.' • - The name says it all. • - An attempt at the Led Zep sound of the same name. • - The clean chorused sound from the Van Halen track of the same name. • - The dropped octave distorted sound from the Pink Floyd track(s) of the same name.

• - A kind of detuned/chorused sound to smooth over tight distortion. • - Much phasing and delay like on the Pink Floyd track of the same name. • - Trashy blues patch. • - Another blues patch. • - Not too distorted, just enough. • - Swirly phasing on a grungy patch.

• - A good tight distorted lead tone with loads of sustain. • - Another good Pink Floyd rhythm patch. • - Midrange scoop like Metallica. • - Translation: With a little more work maybe this could sound like Clapton. • - Autowah and distortion emulate the keyboard part on the Van Halen track of the same name. • - Silly name for a good lead sound. • - Bluesy with some good midrange.

• - Clean with very little sustain. Good for classic guitar. • - An attempt to get the throaty sound of the former G'n'R guitarist at his best. • - This started out at the sound of the guitar playing this riff before it was tweaked too far. • - Another attempt at a grungy Eddie. • - A kind of Gilmour sound with more reverb than usual.

• - A futuristic sounding lead part. • - The dry muffled distortion of the Rocky Horror guitar part on this song. • - Basically dry '70s bass sound found on most Wall-era PF tracks.

• - A good clean sound for this song. • - i.e., with more work it would make a great • - 'Born Slippy' from the Trainspotting soundtrack. • - Loads of reverb. It will put you to sleep if you use it properly. • - A tremolo-rich take on the 'Twin Peaks' theme. • - Sizzling distortion and sustain. • - A tidal wave of dropped octaves and reverb.

• - The sound of the keyboard theme from the tv show. • - A version of the factory attempt at an Eric Johnson sound. • - More of the same flood. • - Muffled distortion.

• - Keyboardists would call this a 'pad' sound. • - Thick distortion. • - A basic clean sound without distinction.

• - A really big version of the 'string swell' above. • - A nice clean sound with chorus. • - Tight distortion good for a lead. • - Distorted but not too heavy, man. • - Another distorted lead.

• - Another take on 'Pretty' above. • - A dropped octave with lots of delay. Makes for interesting rhythm tracks.

• - The Clapton tone from 'Pros and Cons of Hitchhiking.' • - A throaty lead. • - Variation on the above patch.

• - A quiet, hypnotic tone. • - Distorted version of the Gilmour sound.

• - Another chorused clean sound. • - Tight distortion sound good for leads. • - A lightly distorted tone. Variation on 'E' below.

• - An attempt to copy the classic EVH sound. • - Adding distortion to the clean PF sound. • - A lightly distorted tone. • - Clean Gilmour sound. Perfecttableplan 5.1.1 Keygen. • - Tight distortion and great sustain.

• - A version of the 'Wish It Would Rain Down On Me' tone. • - Clean Gilmour sound with more high end. • - Adding distortion to the clean PF sound. A variation on the version above. • - Clean, like Clapton's version of SRV's 'Ain't gonna give up on love.' • - Similar to below. • - Like Santana's sound on this track.

• - Clean Gilmour sound with more reverb than usual. • - Gilmour lead sound. • - Another attempt at a Santana sound. • - The G'n'R guitarist's lead tone. • - Another attempt at Gilmour's lead sound. • - A variation on Gilmour's clean sound.

• - Another variation on Gilmour's clean sound. • - Tight distortion and great sustain. • - Another version of the 'Wish It Would Rain Down On Me' tone.

• - Another tight distortion sound good for leads. • - Do a pre-bend and release.

Enjoy the underwater sounds. • - A sizzling synthesizer tone.

• - A strange sound like marimbas. • - A light touch and the strings explode. • - Whammy down on Tokyo.

• - Based on a factory patch with sleepy, far away reverb. By clicking the icon at the left you can also download a zip file of all of these patches together with a text file of the descriptions above. Also included is a text file of the parameters in SAP format from when they were in RP20 format. This is especially useful for manually entering parameters if you have incompatibility issues between different effects units (e.g., RP20 ->2120). Incidentally, if anyone has the factory installed-patches for the RP20, please. Copyright Alexplorer.

Alexplorer's Axe Hacks: Digitech 2120 Digitech 2120 Multi-effects preamp/processor I have had a long and mostly productive experience with multi-effects processors, but this is truly the top of the line. This device does it all with incredibly versatility and quality.

While no processor can do everything, this one does so much more than I could ever hope for that I can't complain. Why use this instead of effects pedals? Well, this unit has all the parameters (and then some!) of the best pedals on the market. It has a full compliment of effects (I couldn't begin to estimate how many pedals worth of tricks it does). And yet it is a fraction of the cost, simple to set up (pull it into the power, your guitar, and your amp, and that's it), and, most importantly, it is programmable!

I don't know how effects pedals manage to maintain a market share any longer. I know some bands out there play one song after the next with just a couple of sounds, but I need more than 'clean' and 'dirty.' Most effects units come with at least 30 user-defined programs (plus an equal number of factory presets that no one every uses). If you can program it, you can always return to it. With a computer interface, you can also store an infinite number of programs off-line as well. Why would anyone chose anything else?

MIDI interfacing In order to get any hardware that uses midi (musical instrument digital interface) to talk to your computer, you will probably have to get a device like the one pictured. As the name and picture imply, it allows you to connect midi cables to your computer via a USB port. In the past, it was more common to connect through a 9-pin joystick port on the back of a soundcard, but those have gone the way of the dinosaurs. Many of the newer effects processors go direct to a USB ports sans interface for a number of purposes, including direct recording.

A rant The processors on the market at the moment are a step backwards in terms of all the things you would want out of them: versatility, versatility, and versatility! For a while there, Digitech/DOD was getting it right with processors like the RP20 and GSP 2101, but they totally got off track somehow.

Apparently, these processors were too complicated for mere guitarists. Personally, I think they're missing the marketplace full of computer-savy kids who have grown up while they're putting out this Fisher Price junk like the current GNX line.

Check out I wrote them a while back. Links • - Patches, more links, etc. Good starting point. • - More patches and misc.

• - Weak content, but a few patches for download. • - An indispensable patch editor for the 2120, RP-21D, RP-20, RP-12, RP-10, Valve-Fx, and Johnson JM-150/250 Guitar Multi-effects Processors/Amps. • - More patches; using RPEdit you can get these to work (at least in part) on other units.

• - Still more patches. Postscript: I liked my 2120 so much that I bought a second unit: One for at home and another for gigging. If one should ever break down, then at least I've got a backup until I can track down another one on eBay.

Copyright Alexplorer.